“Where do you get your ideas from, Thomas?”

I get asked that all the time. I guess most writers would say the same. So what’s the answer? Well, ideas come from all over the place.

My first novel Maneater is about a werewolf called Laura Greenacre who wants to avenge the death of her clan.

So there’s an idea: a revenge novel. About a werewolf.

Newspapers are a useful source of ideas. Local newspapers used to be great. They had all kinds of stories. Keep your eye on the shorts, those two-paragraph stories that run down the side of a page.

I read something once about a guy stealing a JCB; you know, one of those big yellow diggers. He went on the rampage with it along his street because his neighbors, apparently, had made complaints about him; called the cops or something. Now that’s a scene. Build a story from there. Why did he get that crazy? What caused his neighbors to complain in the first place? What’s going to be the consequence of his actions?

I once wrote a short story called The Librarian. It was about a lonely old man who stole library books to build his own library in a spare room in his house. This story came from two sources.

One was a two-paragraph court story I read in a local newspaper about a man fined for pinching books from his library.

The other idea came from one of my own obsessions — putting books back in their proper places in bookshops.

When I browse bookshelves it bothers me when I see a Michael Connolly novel mixed up with James Ellroy’s books. I will return the Connolly where it belongs, either with the rest of the author’s books or in the “Cs”.

In my story, the character tidied up the shelves in his library in this way, putting books back where they belonged — or so it seemed. He was also tucking them into his coat and walking out with them. He loved books. He was passionate about them. He hated how people disrespected them. He thought people didn’t deserve libraries. So he built his own with books he stole. Eventually he burns his library and himself because the philistines are coming to arrest him and take his books away. He does the worst thing you could do to books — he burns them. But only because he loves them. A twisted kind of love, maybe, but he did not know that.

Another source of ideas is combining genres. Throw in romance with vampires, see what you get. Oh, that’s right: Twilight. Toss some Vikings into a bowl and mix with aliens. That will get you Outlander, a 2008 production starring Jim Caviezel and John Hurt. How about space invaders in the Old West? That’s Cowboys & Aliens.

The new sub-genre of pastiche is becoming popular now, thanks mainly to its inventor the writer Seth Grahame-Smith, creator of Pride And Prejudice And Zombies and Abraham Lincoln: Vampire Hunter.

Why not update a real, historical crime and transplant it to the modern day? I did that with Pariah, inventing a mythology for Jack the Ripper and transplanting him into 21st century London.

So just a few ideas there about… ideas! I’ll talk more about how to develop snippets and scenes into stories over the next few weeks. But the best advice I can give you is: Let your imagination soar.

“Karen, bring me to the world. I will make you proud. I will show you the purity of hate. The clarity of pain. The glory of blood. The beauty of wounds. The rage of love.”

My new novella IRONBONES is out soon from CARRION PUBLISHING. It’s slasher fiction about a murderous, supernatural serial killer. Here’s the gist…

Angry at rejection, would-be novelist Karen Davies one night excavates all of her fury and unleashes it on the page—creating a best-selling monster.

And Ironbones is a huge hit with readers.

But success breeds envy. Reviewers rail against her slasher fiction. Snobs sneer at her purple prose. The god-fearing gnash their teeth at the pageant of violence Karen has devised.

But her imagination, however, has also conjured up the paranormal killer for real.

And soon, the supernatural psycho begins a campaign of bloody terror against those who dare stand against his creator’s work.

The more Karen writes, the more bodies pile up…

Any reviewers out there who’d like a copy, please get in touch with me via Tiwtter (@thomasemson) or email me at thomasemson_info[at]yahoo[dot]co[dot]uk.

And you can be honest… unlike the protagonist of my novella, I don’t have an Ironbones who’ll wreak vengeance on critics who don’t like the book. Honestly.

A special piece of advice

Here’s one of the many awesome five-star reviews I’ve had for my book How To Write a Novel in 6 Months:

It intrigued me; I wondered what the special piece of advice that helped this writer was. I like to think my little guide contains lots of useful information. Those who’ve read it tell me it has certainly helped them get going with their novels. And the reviews suggest it’s got some handy tips, too.

Of course, I couldn’t guess what spoke to this writer, above.

But I know what my Eureka! moment was when I was struggling with my novels. I was trying to follow what I regard as the most impractical bit of advice hurled at would-be authors:

Write every day.

I found this to be demoralising. At the beginning of the week, I would be full of enthusiasm, determined to get to my desk every day and produce a certain number of words. Like I say in the book, Monday went brilliantly: I’d hit my target, whatever it was; 1,000 or 2,000, perhaps.

I was raring to go on Tuesday.

Then Tuesday came. Life got in the way. I got busy at work (yes, I, like the vast majority of would-be writers had a full-time job). Family matters needed attending to (don’t many of us have kids, pets, husbands, wives, mums, dads?). And Tuesday went: 0 words. I had already failed.

This appeared to be the cycle. I got writing, then I got busy. I soon realised that most “gurus”, many of those who give advice on “how to write a novel”, “how to be a writer”, often haven’t finished a novel themselves; they’ve not lived in the real world of writing.

I had to get real if I wanted to be a writer.

And that’s when the Eureka! moment struck me:

Don’t write every day.

That’s right: ignore that unrealistic piece of advice.

But I still needed a target, a goal. I think this is very important if you want to finish your novel. But daily word-targets just didn’t work in the real world. However, weekly ones just might…

And that was it. I set myself a weekly word target, for my first draft, especially. I aimed for around 8,000 words a week. I found that it didn’t matter if I missed a day due to LIFE; as long as I worked hard on the days i had available to write, I could hit my goal. And I did.

And this is how I wrote two novels a year.

So that was my “special piece of advice”, if you like; the revelation.

I still don’t know what bit of advice helped the writer above. I am only glad that they found something of value in my book. That’s the whole point, after all: to help others write their novels in the real world.

If you’ve read my book, I’d be delighted to hear if you found a “special piece of advice” in it, just one thing that made you think: A-ha!

If you’ve not read it, please let me know a piece of advice that really inspired you.

Get in touch with my on Twitter, @thomasemson and share your thoughts.

Where should I start?

I’ve had eight novels published, all of them by Snowbooks. I get asked a lot of questions about my writing—where I get my ideas from, being one, very common query.

But another I’ve been asked frequently is: “In what order should I read your books, Thomas?”

Well, here’s the order in which they were published:

  • Maneater
  • Skarlet
  • Prey (the sequel to Maneater)
  • Zombie Britannica
  • Krimson (the sequel to Skarlet, and the second part of the trilogy)
  • Pandemonium Road
  • Pariah
  • Kardinal (third in the trilogy that began with Skarlet)

You could read them in the above order, of course.

But if you do read Maneater first, you might then want to read Prey, since it continues the story of Laura Greenacre.

You might want to start with Skarlet if vampires are your thing. You’ll then, probably, want to see how the story ends by reading Krimson and Kardinal.

If the undead grab you, you could start with Zombie Britannica.

So there’s the order for you; where you begin is up to you… enjoy.

The Rules of Writing (there are two)

I have been teaching some creative writing sessions recently. The writers in the group are great; they have some wonderful ideas. Their WIPs (works-in-progress) are varied, from reality-based domestic dramas to high fantasy. It’s great to see.

The majority of what I’m teaching comes from my book, How To Write a Novel in 6 Months. But of course, I’ve learned some new things about writing since I published the book. I think about writing a lot, because that’s what I do.

One of the things I’ve become more convinced about is that there are no RULES to writing—but there are PRINCIPLES.

However, I have U-turned slightly…

I have come to the conclusion, now, that there are TWO rules. They are axioms, I think; fixed and never-changing. Everyone who sits down to write a novel or story, play or screenplay, must stick to them.

The 2 rules are:

1. Finish it: your book, your play; get to THE END.
2. Don’t bore the reader: make them WANT to turn the page or stay in their seats.

That’s it.  Your starting points when you begin writing: these 2 rules.

Do you agree? Anyone have other rules? Or maybe you don’t think these are important. Let me know. I look forward to hearing from you.

So with Christmas coming, and New Year goals looming, maybe some of you intend to write a novel. If that’s the plan, the above two rules are really the only things you need to be thinking about.

Have lots of festive fun, I hope 2022 is creative and bountiful for you all.

Read Chapter 1 of Judgment Day, the final part of The Prophet Wars

The fourth and final part of my Young Adult series “The Prophet Wars” will be published on KDP on September 22.

Called “Judgment Day”, it brings to a close the story of Billy Kingdom, the boy who ca see the future, and Tawny Lang, the girl who can part the waves.

I’ve been writing it over the last month, trying to hit 7,000 words a week, using the progress grid I write about in “How To Write a Novel in 6 Months” to keep track of my writing.

Here’s the grid:

It’s taken just under a month to write the first draft, and now I’m starting the revision process.

And Chapter One is ready. Click here, and you can read it. Hope you enjoy.

You can also pre-order Part 4, here.

The prophets are back…

Hello friends, readers, reviewers, writers, vampires, demons, ghosts…

First, I should say happy new year. We’re well into it now, but this is my first email of 2020. Hope it’s going well for you so far. And if it’s not, I hope it gets better.

Volume 3 of The Prophet Wars, my young adult dystopian thriller (it’s “gripping,” according to reviewiers) will be published on February 28. It’s titled “Battle In The Caves”. Does that suggest action to you? Well, if it does, you’d be right to think that. It’s “action-packed”. You know me. I try to make my stories as exciting as possible; page-turners, I hope.

Of course, I’m making some advanced reader copies (or ARCs, as they’re called) available.

If you’re a blogger, a reviewer, or a reader who’d like to let the world know what they think about the book, you can download a copy here at Bookfunnel.

Formats available include Epub, Mobi and PDF.

Remember, there are ARCs available on the same site for Volumes 1 & 2 as well, if you havne’t read them and would like to leave a review.

Volumes 1 & 2 are available on Amazon (here for UK; here U.S.; other territories too) and here (Smashwords) if you prefer epub or other formats. There’s also Barnes & Noble for epub versions.

Thanks again for your support, and we’ll speak soon,
Thomas

The wonderful world of werewolves

An anthology of werewolf stories is published in January — and I’m very proud to say that one of my stories is featured. Editor and author Graeme Reynolds (High Moor) contacted me last year and asked me to contribute a tale to the collection. The criteria was that it had to be based on an already-created werewolf universe.

My horror-thriller Maneater was published by Snowbooks in 2008, and introduced Laura Greenacre – the tagline was “Meet Laura. She’ll eat you alive.” She wasn’t the troubled, sweet-natured, “I-don’t-really-want-to-hurt-people” type of werewolf that had started to plague fiction and films at the time (and that kind of werewolf still does). She was animal. And she went down well with readers. You can read more about her here.

And here’s just one review, by Sheila Merritt of Hellnotes:

“Laura is gory and gorgeous, beauty and the beast, the stuff that dreams (and nightmares) are made of. Male readers will find her extremely attractive, and women readers will admire her for her attributes and attitude.

Couple of years later I wrote a sequel, also published by Snowbooks, called Prey. Went down well, too.

So when Graeme commissioned me, there was only one place to go — back to Laura.

My story’s called The Hunt and elaborates on an event mentioned in Maneater that took place when Laura was a teenager. The story also flashes back to Roman times, 60AD, telling the story of how the Maneater werewolves came to be, their history, their culture.

This week, I’ve just received the proof — and it looks great. That’s the cover, above. I’m really excited to be featured in this collection alongside some top horror names such as Paul Kane, Ray Garton, Jeff Strand and David Wellington.

You can pre-order Leaders Of The Pack: A Werewolf Anthology, here in the UK, here in the U.S.

The Prophet Wars continue…

Volume 2’s cover art

Volume 2 of my young adult novel The Prophet Wars will be available as an ebook on October 31. Apt, eh? Halloween.

It’s going to be downloadable in multiple formats. Kindle, epub, PDF, and will be available on Amazon, Smashwords, Draft2Digital, Barnes & Noble, iBooks… I could go on.

You can pre-order your Kindle copy right now. Here if you’re in the UK. Here in the U.S.

Meantime, if you’d be happy to review it, you can download a free advanced reader copy (ARC) in various formats right here at BookFunnel.

After you’ve read it, it would be great if you could leave a review on Amazon (after publication day), Smashwords, Goodreads, YouTube, your blog, the local paper. The first volume ARC is also still available, by the way, just in case you’ve not had a look.

If you don’t want to sign-up at BookFunnel, but you want to review the book, email me at info@thomasemson.com and I’ll mail you a PDF. No bother.

Thank you, as usual, for your support. And if you’ve not already done so, you can sign-up to my newsletter here – and you’ll get a free story and an extract from How To Write A Novel In 6 Months.