The Rules of Writing (there are two)

I have been teaching some creative writing sessions recently. The writers in the group are great; they have some wonderful ideas. Their WIPs (works-in-progress) are varied, from reality-based domestic dramas to high fantasy. It’s great to see.

The majority of what I’m teaching comes from my book, How To Write a Novel in 6 Months. But of course, I’ve learned some new things about writing since I published the book. I think about writing a lot, because that’s what I do.

One of the things I’ve become more convinced about is that there are no RULES to writing—but there are PRINCIPLES.

However, I have U-turned slightly…

I have come to the conclusion, now, that there are TWO rules. They are axioms, I think; fixed and never-changing. Everyone who sits down to write a novel or story, play or screenplay, must stick to them.

The 2 rules are:

1. Finish it: your book, your play; get to THE END.
2. Don’t bore the reader: make them WANT to turn the page or stay in their seats.

That’s it.  Your starting points when you begin writing: these 2 rules.

Do you agree? Anyone have other rules? Or maybe you don’t think these are important. Let me know. I look forward to hearing from you.

So with Christmas coming, and New Year goals looming, maybe some of you intend to write a novel. If that’s the plan, the above two rules are really the only things you need to be thinking about.

Have lots of festive fun, I hope 2022 is creative and bountiful for you all.

Writer, you are not alone: visiting FantasyCon

Last weekend I was in Scarborough at the British Fantasy Society’s FantasyCon. I travelled up from Kent with fellow writer Danny Rhodes, who’s had horror stories published in Black Static and Cemetery Dance, but is also an acclaimed contemporary novelist (his novel Fan about the Hillsborough disaster is wonderful).

It was quite a trek up north, but I was quite impressed by Scarborough. Very nice seaside town. And the convention itself,  held at the Grand Hotel, was brilliant.

Continue reading “Writer, you are not alone: visiting FantasyCon”

How I write a novel and how you can write one, too

I start writing when I start. There’s no specific time. But we are up early because of the dogs. And my wife is very disciplined and gets to her desk by 8 a.m.

The office is a summer house at the bottom of the garden. Books and papers are piled everywhere. There’s a chair each for the dogs, and it’s got heating, too. Very cosy in winter.

After drinking a second cup of coffee, I meander to my desk.

Deadlines are vital for me. This is stems from my days as a journalist. Like Duke Ellington said, “I don’t need time, I need a deadline.” That’s me. Just like Duke.

I write a novel in six months, from start to finish. For the first draft, which is quite messy, I have a weekly word target – 8,000-10,000 a week.

Continue reading “How I write a novel and how you can write one, too”

The Writing Process Blog Tour

So Danny Rhodes, author of the excellent Fan, asked me to contribute to the Writing Process Blog Tour. I don’t know much about it, but writer after writer answer the same four questions. Here are the questions. Here are my answers…

What am I currently working on?
I’ve just finished, and dispatched to my agent, a fantasy/sci-fi/dystopian thriller for the so-called YA audience. I’m about to start writing a detective novel.

How does my work differ from others of its genre?
I’ve mostly written horror, but they’re fast-moving and action-packed. Horror appears to me to be traditionally quite sluggish. Some horror writers spend an age piling on the adjectives and adverbs, thinking up different words for ‘dark’. I try to keep the story moving, very, very quickly. I don’t waste time on long, descriptive passages telling the reader how menacing a house looks. I get the characters inside the house and show them how menacing it is.

Why do I write what I do?
I wrote horror initially because I loved the genre as a youngster. But I also like action thrillers and fast-paced stories. I combined horror stories and the thriller framework. Really pacy stories. Gory, full of violence, very grown-up. I really enjoyed TV serials when I was growing up. They used to show stuff like Flash Gordon with Buster Crabbe. It was old, very old, but I loved the cliff-hangers at the end of each episode. I attempt that with my stories. I want to be on the edge of my seat when I read a book. I try to do that when I write my own, too. I think, to be succinct, I write what I write because I like reading it.

How does my writing process work?
I had an eight-book contract, and tied myself to writing two books a year. In order to do that, I had to be disciplined. So I developed this specific routine, which I use to this day. I set myself targets. I work out how long I have to write a book. Say six months. It’ll be an 80,000 word book, at least. I set myself a target of 8,000 words a week. Weekly targets are more achievable than daily ones. If I write 8,000 words a week, and working from a vague outline, I’ll have the first draft finished in 10 weeks. When I’m writing the first draft, I don’t stop to correct anything, I just write and write. After that’s done, I take a week off. Then I go back and do a pass of the first draft, cleaning things up. And I keep doing this until I have a decent manuscript. I’ve written about my routine in a book called How To Write A Novel In 6 Months.

… so there it is; hope you enjoyed.